香港電台與精神健康諮詢委員會聯合製作新一輯電視節目《陪我講 Shall We Talk》。四位來自不同界別的嘉賓主持，包括陳奕迅、黃仁龍、彭秀慧及江旻憓，將會與從事精神健康相關工作的朋友以及復元人士，做一日朋友，互相聆聽和分享，傾訴內心秘密，讓觀眾了解精神健康的重要。

香港電台與精神健康諮詢委員會聯合製作新一輯電視節目《陪我講 Shall We Talk》。四位來自不同界別的嘉賓主持，包括陳奕迅、黃仁龍、彭秀慧及江旻憓，將會與從事精神健康相關工作的朋友以及復元人士，做一日朋友，互相聆聽和分享，傾訴內心秘密，讓觀眾了解精神健康的重要。

We Shall Remain is a five-part, 7.5 hour documentary series about the history of Native Americans spanning the 17th century to the 20th century. It was a collaborative effort with several different directors, writers and producers working on each episode, including directors Chris Eyre, Ric Burns and Stanley Nelson Jr. Actor Benjamin Bratt narrated the entire series. It is part of the American Experience series and premiered April 13, 2009.

Hailey Hartz was born to a normal family, led a normal college-student life and now works at a normal job. This normal guy created a normal family and thus has the kind of good fortune that anyone would be envious of. Nothing is unsatisfactory about his life, we would expect. But even so, Hailey believes something to change his day-to-day routine awaits him at some point down the line. One day, on his daily commute, he looks up from a train station platform to discover a ballroom dance studio. As he stares at a beautiful woman standing in the studio's window, a vague notion comes to him: What if he were to muster up a bit of courage and march right toward the door? Would his fortunes see a massive change? Piqued by this thought, and after much inner debate, Hailey sets foot inside the dance studio.

The chronicles of the lives of young urban adults in Budapest.

Before her arranged marriage, a woman’s forbidden romance with her town’s elegant seamstress unfolds in stolen nighttime moments.

Short film based on "What We Talk About When We Talk About Love" by writer Raymond Carver.

Mónica organizes a birthday dinner for Martín. In a world where everyone lies, the only truth lies in thoughts. An acid comedy that reveals what we never say.

A short-lived UK talk show presented by American comedienne .

Shot between Hong Kong, Japan, and the US, this short is Joshua Gen Solondz’s most ambitious work to date, a portrait of the home and the world that is dense, textured, creepy, anxious, noisy, silly, and confounding, but always tender.